

"Clipping bits is very different from clipping atoms" p.59
"On the net each person can be an unlicensed TV station" (p.176)One word. YouTube
"...bits that describe other bits...will proliferate in digital broadcasting. These will be added by humans aided by machines, at the time of release...or later (by viewers and commentators). The result will be a stream with so much header information that your computer really can help you deal with the massive amount of content" (p.179)tags, labels etc
"automobiles will enjoy another very particular benefit of being digital: they will know where they are" (p.216)SatNav.
"The important point is to recognise that the future of digital devices can include some very different shapes and sizes from those that might naturally leap to mind from our current frames (sic) of reference. Computer retailing of equipment and supplies may not be limited to Radio Shack and Staples, but include the likes of Saks and stores that sell products from Nike, Levis and Banana Republic."Basically, the web breaking out from behind screens, which I have thought about here. Nike+ is the golden example of this right now. A continuation of this idea:
"When this happens in a tiny format, all "things" can be digitally active. For example, every teacup, article of clothing, and (yes) book in your house can say where it is. In the future, the concept of being lost will be as unlikely as being "out of print"I like the nod to long tail stuff at the end there with "as unlikely as being out of print"
Posted by
Will
at
08:24
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Labels: art, digital, media, mobile, technology

There's just something very intriguing about this. You need to see it big.
Posted by
Will
at
18:47
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Labels: art
This stunning image comes from the inside of a transgenic mouse's head (hippocampus I think). Each neuron is expressed as a different colour. More here.
Posted by
Will
at
23:16
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Labels: art, neuroscience
Posted by
Will
at
00:47
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Labels: art, data, digital, geotility, internet, mobile, photography, software, technology
Having been nowhere before computers, pixels are now everywhere.
Posted by
Will
at
11:41
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I am sure there is some lesson in here about the potentially negative outcomes of blindly following the crowd but I just think it is a real visual treat.
Posted by
Will
at
21:59
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Labels: art
Posted by
Will
at
13:06
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By architects Mike Tonkin and Anna Liu.
Posted by
Will
at
12:11
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Labels: architecture, art, design








Posted by
Will
at
22:18
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Labels: art, science, technology



Posted by
Will
at
22:12
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Labels: art, photography
These beautiful dendritic patterns are made by injecting a piece of insulating material with a high speed beam of electrons. The fractals are thought to extend right down to the molecular level. Here's a vid of a Litchenberg figure being created and the subsequent light fizz:
Posted by
Will
at
14:43
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I have scanned in a few stills below, tried to remove the dust and scratches digitally and restored a bit of the colour vibrancy lost in the scan.

Posted by
Will
at
16:53
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Labels: art, communications, music
Posted by
Will
at
00:47
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Labels: art
Went to the Tate Modern today and was surprised at how unexciting the work was. Standing out in the mediocrity was this sweet little video called Quarta-Feira de Cinzas/Epilogue by filmmaker Cao Guimaraes and artist Rivane Neuenschwander. Following the Carnival, the colourful confetti become the ants' treasure and we can watch them as they go about their labour (a little help was needed to get them excited by soaking the paper in either pork-fat or honey). There is also some nice tinkling added to the soundtrack.
Posted by
Will
at
00:11
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Posted by
Will
at
16:08
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Labels: architecture, art, design
Posted by
Will
at
14:43
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Labels: art